Does trying to figure out Anamorphic vs. Square Pixel aspect ratios made your head hurt? Here Walter Biscardi, Jr. gives a quick and simple explanation of what they mean and how they affect your video or film project.
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Renaming your tracks in Adobe Premiere Pro from the default Video 1, Video 2, Audio 1, Audio 2, etc… can foster better collaboration and organization.
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The term RAID is used a lot in video and film post-production, but if you’re new to the term, here’s a quick primer on what exactly a RAID is and why you might need one for your next project.
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Don’t Screw Yourself (Get a Contract) offers advice on ways to protect yourself BEFORE you sign your next contract. When a big job comes along it’s natural to get excited and sometimes that excitement commits you to a project before you’ve taken the time to properly ask enough questions to fully understand what you’re getting yourself into. More often than not, that can lead to frustration and disappointment at best, a loss of money at worst. Part 1 looks at the path to the “Big Project.” While aimed primarily at editors and the Post Production, creative professionals from all aspects of the industry can learn from Walter how to be better prepared for their next big project. He reveals what creative pros need to know and ask before taking on their next big post project. It’s knowledge gained in over 20 years experience cutting and supervising projects from broadcast to corporate. Along the way he’s “been there, done that” with just about every type of client situation imaginable.
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Don’t Screw Yourself (Get a Contract) offers advice on ways to protect yourself BEFORE you sign your next contract. When a big job comes along it’s natural to get excited and sometimes that excitement commits you to a project before you’ve taken the time to properly ask enough questions to fully understand what you’re getting yourself into. More often than not, that can lead to frustration and disappointment at best, a loss of money at worst. Part 2 looks at Defining Roles, both for you and for your client. While aimed primarily at editors and the Post Production, creative professionals from all aspects of the industry can learn from Walter how to be better prepared for their next big project. He reveals what creative pros need to know and ask before taking on their next big post project. It’s knowledge gained in over 20 years experience cutting and supervising projects from broadcast to corporate. Along the way he’s “been there, done that” with just about every type of client situation imaginable.
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Don’t Screw Yourself (Get a Contract) offers advice on ways to protect yourself BEFORE you sign your next contract. When a big job comes along it’s natural to get excited and sometimes that excitement commits you to a project before you’ve taken the time to properly ask enough questions to fully understand what you’re getting yourself into. More often than not, that can lead to frustration and disappointment at best, a loss of money at worst. Part 3 examines the roles of people on the project including you and your team and your client. While aimed primarily at editors and the Post Production, creative professionals from all aspects of the industry can learn from Walter how to be better prepared for their next big project. He reveals what creative pros need to know and ask before taking on their next big post project. It’s knowledge gained in over 20 years experience cutting and supervising projects from broadcast to corporate. Along the way he’s “been there, done that” with just about every type of client situation imaginable.
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