About a year ago I posted one of my most popular articles, “Anatomy of an Edit Suite” where I detailed everything that’s in our edit suites and why. In the interim we’ve ditched Final Cut Pro 7 in favor of Adobe Premiere Pro, added our first Dell Windows Workstation, and have strongly been considering iMacs to replace Mac Pros. That’s a lot of changes in just over 12 months!
Well we did go ahead and install a full blown iMac so without further adieu, may I present an Anatomy of an iMac Edit Suite. As with the original Anatomy article, I have listed all the products at the end of this article. I didn’t have my main camera today so what follows are all iPhone photos… What you see below is Edit 2 at Biscardi Creative Media. That’s Emily at the helm, yeah it’s a little messy, she’s four weeks into a documentary edit.
You’ll note we have the exact same Anthro Fit Console as all the rest of the edit suites. Even though the iMac is an all in one computer, we can still stand up by tilting the iMac backwards. You can also see the KRK Rokit 5 audio monitors on both sides of the console just like the rest of the shop.
Here’s a good look at the iMac configuration, that’s the iMac in the middle, a Dell 24″ monitor on the left and a Flanders Scientific LM-1770W reference monitor on the right. Adobe Premiere Pro CS6 is the editing tool.
The iMac configuration is as follows: 27″, 3.4GHz Quad-Core Intel Core i7, 32GB RAM, 256GB SSD Startup Disc, 1TB Secondary disc, dual Thunderbolt ports.
View of the rear of the iMac. The white and black cables on the right are the two T-Bolt ports. You’ll note the Ethernet port is empty, more on that shortly.
Yes, you did read correctly, 32GB RAM. You won’t find that option on the Apple website or at an Apple store. I purchased the machine with just 4GB of RAM and replaced it with a 32GB kit from Other World Computing. They assured me before I ordered the machine that the RAM worked, it did not overheat and it did not cause any power issues. 2 months into the running this machine I can report they are absolutely correct.
I added the SSD after Adobe came to the Atlanta Cutters meeting this past May and Dennis Radeke showed me how fast his laptop starts up and launches apps on an SSD. The machine literally starts up in about 5 seconds from power on to log in. Well worth the extra cost for the second drive.
The only downaide to the iMac is that it comes with a smaller keyboard so you don’t get the number pad on the right like a full sized keyboard. It’s somewhat of an annoyance and I’ll probably replace the wireless keyboard with a full sized one soon. As with the other edit suites, I’ll also add a Wacom tablet in the near future.
For audio / video I/O we run the AJA IoXT. It’s essentially the AJA Kona 3 video card inside a nice neat box. All the realtime conversions are in there and it connects to the iMac via Thunderbolt. It has dual ports so it can pass through a Thunderbolt signal to a computer monitor or other T-Bolt device. The IoXT feeds the Flanders Scientific LM-1770W via HD-SDI.
Instead of the Mackie audio boards we have in the other suites, I went with this simple Behringer Minimon MON800 box for the iMac. It accepts multiple audio inputs and controls multiple audio outputs, it even has a built in mic for talkback to an audio booth. We take the Stereo Mini feed out of the FSI Monitor to this box and then from hereto the KRK Rokit 5 audio monitors. Sure we can control the volume via the iMac audio controls, but it’s so much easier to just use a knob. The arrow points to the main volume control to make it easier to figure out in the darkened suite.
About that empty Ethernet port I noted earlier. If you’ve followed my blog, you know we run a Small Tree Communications ethernet based SAN (actually a NAS). Using the on-board ethernet ports on Apple products is a crap-shoot. On some machines we can use that port and everything works as it should. Other machines, they just don’t work right or Apple has taken it upon themselves to downgrade the performance of some models. This 27″ iMac was inconsistent in its performance so Small Tree brought one of their new toys down to smooth things out, they call it ThunderNet.
Thunder Net Rear View. The black T-Bolt cable is connected to the iMac, the white T-Bolt cable is the pass through to the Dell 24″ monitor. The CAT-6 ethernet cable comes from the Small Tree NAS in the machine room.
The ThunderNet allows us to run the Ethernet based SAN (NAS) via the thunderbolt port on the iMac. This greatly improves the overall playback performance on the system. We have a 1Gig connection in our box but we can change that for a 10Gig card to give us even higher data rates to the system. With our native format / ProRes / DNxHD editing, the 1Gig connection gives us plenty of performance.
As with the other edit suites, we have the Dell UltraSharp U2410 24″ model that’s mounted onto the Anthro Swing Arms to give flexibility to move the monitor around as best suited to the editor.
Overall the iMac makes a very sweet editing system and so far we are very impressed with the performance. The fact that it’s cutting a documentary project, somewhat smaller by our standards, is a pretty good testament to the performance. It’s a snappy machine, cuts well, and even renders quite fast too. Sure it can’t render as fast as a 12 Core Mac Pro, but then this machine is only about $3500 fully configured.
The only real downside compared to the towers is that is does generate some heat so the edit suite can get warm with the door closed all day. If you touch the top of the iMac after a few hours, you will find it quite hot to the touch. With our towers, they are all in a central machine room so the heat is contained in one room and I just chill that room. With our edit suites, we keep the temp around 74 during the summer. All of my edit suites have ceiling fans and that really helps with this room in particular.
So more than just a consideration, the iMac is a very viable day to day editing system. Oh and you may have noticed the dog bed in the first photo. Molly the Wonder Dog decided to sit this photo session out in the hall. The items in the article are below her photo. Happy Editing all!
WH Platts Company One of the best Value Added Resellers in the United States. 80 to 90% of everything in my shop has been purchased through Platts.
Other World Computing 32GB RAM kit for iMac 27″
Flanders Scientific CM-170W The 1770W is no longer made, this is their current 17″ model which blows away the 1770.
BISCARDI CREATIVE MEDIA is a full service digital media production company near Atlanta, Georgia with services that include Video Production, Sound Production, Sound Mixing, Graphic Design, Animation, Post Production, Video Editing, Color Grading, Finishing, Digital Asset Transfer, Digitizing and Archiving. Quite simply we’re the people who make video and media production easy for you. No technobabble. Just clear, concise and creative content delivered where and how you need it, on time and on budget. Office and production space is also available for short and long term projects. www.biscardicreative.com | 770-271-3427
How do you connect the Dell monitor to the iMac to get the extended desktop?
Mac Mini Display to DVI Adapter.
I don’t know whether to love it or hate it when you do posts like this. Next time, I am hiding my credit card before going to your site!
amazing article!!
been waiting patiently for the 2nd installment! 🙂
seems like a busy month you’re having.
since that time I’ve tried premiere on an imac to replace final cut. good program, but i hate the way audio works in it. i submitted a form at adobe.
salam from amman!
Walter, thanks for this post! Our company is going through some similar transitions (FCP to CS6, and possibly Mac to PC…or both) and this really helps . We do a lot of Same Day Edits on location. Being an apple user in the media industry for over 15 years, i’ve really come to trust their reliability. With that being said, we’d like to use Macs (macbook pro retina) when we edit for our client on location. However, we’d really like to use PC for all our work back at the office (PPro, AE, Encore, Photoshop). We’d like to use PC in the office due to it’s performance superiority over Mac for things like rendering, exporting, and After Effects (MPE “maximus config”). It seams to me that your setup is a similar concept to mine…iMacs in edit suites for reliability, form factor, and ease of use…and Mac Pros or PCs in render suites to help speed up renders and AE projects that would otherwise take a very long time on the iMacs (since you can’t take advantage of MPE “hardware acceleration”). With all that being said, I have a few questions for you if you don’t mid sharing your experience…
First, since you have both Mac & PC’s at your facility…do they all connect (network) to the same Small Tree shared storage system, and share projects seamlessly…or do you have to run a separate storage system just for the PC? I love Small Tree and would like to have all our editing systems (Mac & Pc) on the same shared storage system if possible.
Secondly, if they (both Macs & PCs) are on the same shared storage system…are there any problems/issues when saving a PPro project from the iMac, then opening it and continuing work on that project on the PC (or visa versa)?
Lastly, have you noticed any pros/cons to running a Mac-PC hybrid facility? i.e. project compatibility, network compatibility, file type compatibilities, etc.
Can’t wait to hear your feedback and expertise, as we’re ready to pull the trigger on this upgrade and greatly value your opinion!
Thanks so much!
Yes they all connect to the same storage. Macs connect via afp and the PC via smb. For the most part the projects share seamlessly except that the PC sees the storage volumes as letters which are different than how the Macs see the storage. So when you move a project, the first thing you have to do is relink the media. Not a problem, just something that has to be done.
The biggest issue is codecs. We’re finding the Mac is just more friendly with all manner of codecs that the PCs aren’t quite up to speed on, particularly when Quicktime is involved. I covered some of this in my latest blog.
http://www.biscardicreative.com/blog/2012/10/mac-pc-adobe-and-resolve/
Overall everything runs well mixing PC / Mac on the same network / storage. It’s really the codec issue that slows us down so I’m going to take the PC and make it the new Resolve workstation for now.
90% of the time, we work with canon 5d & 7d dslr footage (h.264). Have you noticed if this codec works between both platforms (Mac & pc) without issues?
We have not seen any issues here with Canon footage between the two platforms. Just the XDCAM QTs as described in the blog.
Great! Thanks so much for the help Walter!