Tutorial – WalterBiscardi.com

Pixels vs. DPI for Video Graphics

Walter Biscardi — Sun, 03 Dec 2017 21:52:20 +0000

Count your pixels and not dots per inch when creating graphics for video and film. Walter Biscardi, Jr. explains.

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Anamorphic vs. Square Pixels

Walter Biscardi — Sun, 03 Dec 2017 21:48:10 +0000

Does trying to figure out Anamorphic vs. Square Pixel aspect ratios made your head hurt? Here Walter Biscardi, Jr. gives a quick and simple explanation of what they mean and how they affect your video or film project.

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Renaming Tracks in Adobe Premiere Pro

Walter Biscardi — Sun, 03 Dec 2017 21:41:07 +0000

Renaming your tracks in Adobe Premiere Pro from the default Video 1, Video 2, Audio 1, Audio 2, etc… can foster better collaboration and organization.

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What is a RAID?

Walter Biscardi — Sun, 03 Dec 2017 21:33:58 +0000

The term RAID is used a lot in video and film post-production, but if you’re new to the term, here’s a quick primer on what exactly a RAID is and why you might need one for your next project.

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Starting a Project in Adobe Premiere Pro, Best Practices

Walter Biscardi — Sun, 03 Dec 2017 21:28:34 +0000

Walter Biscardi, Jr. shares some insight and tips for best practices on starting a new Adobe Premiere Pro Project.

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Just Walk Away (to fight ‘editor’s block’)

Walter Biscardi — Sun, 03 Dec 2017 21:22:50 +0000

Sometimes the best way to fight ‘editor’s block’ is to simply walk away. A Quick Tip from Walter Biscardi, Jr.

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Don’t Screw Yourself (Get A Contract), Part 1 Path to the ‘Big Project’

Walter Biscardi — Sat, 02 Dec 2017 22:38:35 +0000

Don’t Screw Yourself (Get a Contract) offers advice on ways to protect yourself BEFORE you sign your next contract. When a big job comes along it’s natural to get excited and sometimes that excitement commits you to a project before you’ve taken the time to properly ask enough questions to fully understand what you’re getting yourself into. More often than not, that can lead to frustration and disappointment at best, a loss of money at worst.

Part 1 looks at the path to the “Big Project.” While aimed primarily at editors and the Post Production, creative professionals from all aspects of the industry can learn from Walter how to be better prepared for their next big project. He reveals what creative pros need to know and ask before taking on their next big post project. It’s knowledge gained in over 20 years experience cutting and supervising projects from broadcast to corporate. Along the way he’s “been there, done that” with just about every type of client situation imaginable.

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Don’t Screw Yourself (Get A Contract), Part 2 Defining Roles

Walter Biscardi — Sat, 02 Dec 2017 22:37:22 +0000

Part 2 looks at Defining Roles, both for you and for your client. While aimed primarily at editors and the Post Production, creative professionals from all aspects of the industry can learn from Walter how to be better prepared for their next big project. He reveals what creative pros need to know and ask before taking on their next big post project. It’s knowledge gained in over 20 years experience cutting and supervising projects from broadcast to corporate. Along the way he’s “been there, done that” with just about every type of client situation imaginable.

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Don’t Screw Yourself (Get A Contract): Part 3, Who Provides What?

Walter Biscardi — Sat, 02 Dec 2017 22:36:02 +0000

Part 3 examines the roles of people on the project including you and your team and your client. While aimed primarily at editors and the Post Production, creative professionals from all aspects of the industry can learn from Walter how to be better prepared for their next big project. He reveals what creative pros need to know and ask before taking on their next big post project. It’s knowledge gained in over 20 years experience cutting and supervising projects from broadcast to corporate. Along the way he’s “been there, done that” with just about every type of client situation imaginable.

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Don’t Screw Yourself (Get A Contract): Part 4, After the Client Conversation

Walter Biscardi — Sat, 02 Dec 2017 22:34:45 +0000

Part 4 discusses strategies after you’ve had your initial project discussion with the client. While aimed primarily at editors and the Post Production, creative professionals from all aspects of the industry can learn from Walter how to be better prepared for their next big project. He reveals what creative pros need to know and ask before taking on their next big post project. It’s knowledge gained in over 20 years experience cutting and supervising projects from broadcast to corporate. Along the way he’s “been there, done that” with just about every type of client situation imaginable.

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